Showing posts with label Week 7. Show all posts
Showing posts with label Week 7. Show all posts

Thursday, October 5, 2017

Week 7 Story: Consolation

Painting of Filipino woman with flowers in her hair. By Lydia Velasco.
“Father,” Bayani said softly, from his spot in the cushioned chair beside his father’s bed. The old king was ill, had been for many years now, and the healers had warned the young prince that he didn’t have much time now that winter was coming. While this upset Bayani dearly – he loved his father – he had resigned himself to the fact. “Can you tell me about Mother?”

It had always been a sore subject, his mother, and the scandal that had tainted her memory for his father. Bayani never asked, simply because he knew it would upset the King, but he was curious. And if he didn’t ask now, he would never know.

The King sighed, adjusting himself in the bed with a wince. He was always in pain, nowadays.

“She was beautiful,” He began, a soft smile on his face as he looked up at his heir. “Like you. Incredibly smart. Good. She was a good woman. And so brave. She loved you so much.”

Bayani fell into the enchantment that his father’s voice casted, his eyes never straying from him as he began his story. “I had told your mother, Reyna, and another one concubine, Ibwa, whom I had cared for deeply, that the first woman to bore me a son would be made my wife.”

This didn’t seem fair to Bayani. If he had cared for the both of them, certainly something could have been done. No one should have to bare a son to be deemed better than another. His father could see the disappoint in the prince’s face, and he continued, pressing on.

“When you were born, everyone was overjoyed. I, and your mother alike, could barely contain ourselves with happiness. But Ibwa was jealous. She had given birth to a girl, and while I was happy that I had a child, it wasn’t a boy. It wasn’t an heir.” He sighed, as if the memory was hard for him. Bayani believed it probably was.

“One night, while everyone was asleep, Ibwa murdered her daughter, and buried her.” He paused. Bayani knew this part of the story. It was the only thing that he really knew about what had happened to his mother. “When she was done, she stole you away, hiding herself away until the right moment.

His father left out the part of his mother’s execution; he had gone absolutely insane with grief when he came to find that his son had gone missing. Expecting the worst, he had ordered his mother’s death immediately, drowning her in the kingdom’s river, which ran alongside the castle walls. No one ever dared to argue against the King’s orders, so they were properly implemented at once. Bayani’s mother never even had a chance to explain.

“It was days until Ibwa came back, holding you in her arms as if you belonged there. I was overcome with such joy, I didn’t even think about what had occurred because of your kidnapping. I was simply happy that she brought you back. I married her at once, not thinking about you, or your mother, or the fact that Ibwa was the cause of all that had happened.”

Bayani’s temper flared. Despite the fact that Ibwa was dead, it didn’t stop him from wishing that she had lived long enough that he could have done the job himself. However, that would have been too many years that the wicked woman would have been alive, and her mother would have been dead.

“The kingdom rejoiced at your homecoming, but were confused with the marriage. No one could understand why I had chosen Ibwa after just murdering Reyna. I don’t think I even understood myself.”

The King closed his eyes for a long moment, taking a breath. Bayani knew that talking for too long exerted too much energy, and he reached out, grabbing his father’s hand in his own. He offered whatever comfort he could give, despite the circumstances.

“Reyna came to me in a dream. I remember it as though it actually happened. She was dressed in white, flowers dancing around her and woven into her hair. She was also sopping wet.” Bayani’s father shook his head. “She explained what had happened, and I had no doubt that she was telling the truth. This dream was an explanation, and while I felt guilt stricken for murdering Reyna, I knew what I had to do. As soon as I woke up, I comforted Ibwa.”

Bayani scooted closer, needing to be nearer to hear this part.

“She confessed to everything, with no signs of remorse. I became… enraged again. I didn’t even think, when I threw her out of our bedroom window. She had no idea that it had been coming.” The smirk on Bayani’s face should not have been there, but it was. His father continued. “I ordered that your mother to be reburied, nobly. I grieved for as long as I could.”

Bayani knew that his father had loved his mother, and he knew who his father was. He was an irrational man, driven by passion. The death of his mother had been by his hand, sure, but it was Ibwa that had caused it. The prince grew up wise, brave and strong, a leader to his people, because of his people.

“You are every bit of your mother.” His father said, his voice faint from overuse. "But you are my reward."

It was all that Bayani needed to hear, really.

_________________________________________________________________________________

Author's Note: The original story, The Wicked Woman's Reward, was told from a third person point of view. It is about a king who tells his two favorite concubines that the first to give him a son would be the one he married. The Wicked Woman bears a daughter, and the Good Woman bears a son. The Wicked Woman kills her daughter, swaps the Good Woman's son with a cat, and takes the son away. When the King finds the cat, he orders the Good Woman to be executed by drowning in the river. The Wicked Woman brings his son back and they marry. However, the Good Woman's corpse doesn't decay and is found in the river with flowers all around her. Her ghosts tell the King what the Wicked Woman did, he throws her out a window, and he mourns for the loss of the Good Woman. Her son grows up to be brave and strong and takes over the throne. I changed the story by making it more dialogue than anything else. It comes from the King, while he explains it to his son. It gives the boy more of a character in the story. I gave the women names, because I believe they deserve them. Reyna's name means "Queen," while Ibwa is the name of a Filipino demon. I feel that giving the narrator's voice to the son gives the readers a connection to him and to Reyna. You are feeling what he feels, as he begins to understand what happens to his mother. 

Bibliography: Filipino Popular Tales by Dean S. Fansler (1921). Link to online reading.

Wednesday, October 4, 2017

Reading Notes: Filipino Tales Part B

1. The difference between the stories from this section and the previous readings is that most of these stories are creation stories, or why things are the way they are, or they're about animals. I happen to like stories that involve humans as the main characters, because they're more relateable and provide an easier story and background to understand.

2. I like the story "Why the Sun Shines More Brightly Than the Moon," even if it pits two females against one another. The story is short, though, and doesn't give the characters much depth. Buwan's sister isn't even named, and I would like to see her side of the story more than it being told from a third person point of view, where you can't really tell what's going on. The story was pretty objective, so it told you what happened and what was the result. There was no fanfare, which I prefer in my fairy tales.

3. The story explaining why the cow has loose skin freaked me out. That's it.

4. The story about the fingers was interested because you're quite unlikely to find a story where fingers are named and talk amongst one another unless they are part of a children's tale. The idea that the thumb is a thief is interesting to think about, and this story is probably one of the more interesting ones that I've read while I've been in this class.

5. All in all, I think a lot of these stories would be better if someone gave the character's more depth, and allows the readers to be able to relate and understand what they are reading. Most of the stories don't have a lot of detail either - they need setting descriptions, character descriptions, and the like. Adding more detail, as long as it's not too much, helps readers to connect with the story and it allows them to understand where the characters are coming from and what is going on.

Now that this is done, it's time for me to sleep for 4324320 hours!

Yoda sleep meme. Found on Awesome Inventions.
Bibliography: Filipino Popular Tales by Dean S. Fansler (1921). Link to online reading.

Tuesday, October 3, 2017

Reading Notes: Filipino Tales Part A

1. One of the most surprising moments in the story of the Three Friends was that the monkey was clever enough, but also evil enough, to through the Bungisngis into the pit. His friends, however, were not so clever. It's cool to see the parallel between the three animals, especially because monkeys are so similar to humans in both anatomy and in the way that they think. Is the story playing on the idea that monkeys are wiser than other animals?

2. There seems to be a pattern with the number three (three animals, three brothers, three sons, etc.). I wonder if the stories would change any if the number was changed to two, or increased to a higher number, like five. For example, if there was two brothers, instead of three like in the second story, or five or more animals in the first tale. If the number of animals in the latter increases, then it would provide more foundation for the fact the tale is trying to explain the wisdom contrasted between animals.

3. The characterization in the story, The Clever Husband and Wife, is interesting, because when I read it, I hated the two protagonists. They were con artists and cheats and exploited the friendship between themselves and the doctor/mistress. However bad they were, though, I liked that they were unapologetic and had decent flaws. It's not all the time that you see a main character with a trait that doesn't redeem itself at the end of the story.

4. I would like to change the end of the story, The Devil and the Guachinango, by changing the ending. Instead of having the princess be saved, I would have her die and force the Guoachinango to have to go to Hell. Maybe that's just me being morbid, though.

5. I find it amusing one of the protagonist's name in these stories is Don Juan.

6. The stories that involved religion also involved the monarchy; that is, the stories that had either the Devil or God in them also had princesses and kings involved as well. It parallels the idea that the monarchy is appointed because of Divine Right.

7. The story of the monkey-prince was my favorite, mainly because I love the trope. I'm glad that it didn't take the route of the woman falling in love with an animal (*cough* Beauty and the Beast *cough*). I also liked that the girl was poor and not a princess.

8. I like the concept of the Wicked Woman but I don't like that they pit two women against one another. I wish that it wasn't because of a man that the two grew jealous.

Buddy the Elf reading meme. Found on Memes Happen.
 Bibliography: Filipino Popular Tales by Dean S. Fansler (1921). Link to online reading.